Parham was born in Winnipeg, Manitoba, Canada and grew up in
Kansas City where he worked as a pianist at The Elbon Theatre. He was mentored
by ragtime pianist James Scott. Though
the entirety of Parham's catalog would easily fit on a single CD, he holds the
distinction of being the only non-American to appear in cartoonist R. Crumb's
trading card collection "Early Jazz Greats".
Showing posts with label 1920's Music. Show all posts
Showing posts with label 1920's Music. Show all posts
Thursday, May 1, 2014
Welcome to National Barbecue Month
The weather starts warming up, leaves and Indy cars return to Indianapolis, and a fellow's thoughts turn fondly to hot coals and slow-roasting meat. May is National Barbecue Month and to honor that fact I'm going to season my usual lineup of Indy 500 themed posts with a sauce of barbecue information and music. And to kick it off a little ditty called Pig's Feet and Slaw by Tiny Parham.
Labels:
1920's Music,
Barbecue,
Cartoonists,
Holidays,
Jazz,
May,
National Barbecue Month,
Observances,
R. Crumb,
Tiny Parham
Thursday, January 16, 2014
January Full Moon - Indiana Moon (1923)
Though I didn't have any luck finding a January moon song, I figured I'd start things off with something that directly links to the name of this blog. Indiana Moon with music by Irving Berlin and words by Isham Jones. Take a listen and see what you think of this Vocalion version from 1923.
Labels:
1920's Music,
1920s,
Full Moon,
Indiana Moon,
Irving Berlin,
Isham Jones,
January,
January Moon,
Sheet Music
Thursday, October 8, 2009
Black Thursday
I spent a dreary, October morning listening to Radio Dismuke – the tunes of the 20's filled my headphones, doing their best to lift the morning's mood. Their effort turned out to be totally wasted. I'm sitting with a certain sense of melancholy this morning.
Think about driving down a divided highway. You're heading southbound and, across the grassy median, you can see northbound traffic. As you drive you see the aftermath of an accident blocking all of the northbound lanes. For ten miles after that, northbound traffic is utterly and totally snarled – at an absolute standstill. Once you pass the last cars in that traffic jam, and you've crested a hill or two, you start seeing northbound drivers who've got no idea what they're heading into. They're driving along, thinking their day's in perfect order, oblivious to what waits for them. But you know.
To me, listening to songs of the mid twenties is somewhat like being in that southbound car. I've got a kind of omniscience, I know in 1929 the market will crash, that millions will be destitute, and that the nation will labor under the yoke of economic despair and only shrug it off through the auspices of a world war. I know all the light songs of cheer and good times exist inside a champagne bubble that's about to burst. Outside that bubble is a cold, hard world with little room for silly songs of love and youth.
I'm also aware that I'm living in my own bubble – champagne or not, a bubble none the less. Inside it's only possible to see the now and the nearly now. I'm in suddenly transported into one of those northbound cars and unaware of what I might be hurtling toward. Sure, maybe I've noticed a few cars slowing down around me. The economic woes of our times are only missed by those rich enough to be unaffected and I don't belong to that set. I'm just another motorist in my steel and glass bubble, speeding along with the radio turned up and the windows up. Comfortable and ignorant.
Think about driving down a divided highway. You're heading southbound and, across the grassy median, you can see northbound traffic. As you drive you see the aftermath of an accident blocking all of the northbound lanes. For ten miles after that, northbound traffic is utterly and totally snarled – at an absolute standstill. Once you pass the last cars in that traffic jam, and you've crested a hill or two, you start seeing northbound drivers who've got no idea what they're heading into. They're driving along, thinking their day's in perfect order, oblivious to what waits for them. But you know.
To me, listening to songs of the mid twenties is somewhat like being in that southbound car. I've got a kind of omniscience, I know in 1929 the market will crash, that millions will be destitute, and that the nation will labor under the yoke of economic despair and only shrug it off through the auspices of a world war. I know all the light songs of cheer and good times exist inside a champagne bubble that's about to burst. Outside that bubble is a cold, hard world with little room for silly songs of love and youth.
I'm also aware that I'm living in my own bubble – champagne or not, a bubble none the less. Inside it's only possible to see the now and the nearly now. I'm in suddenly transported into one of those northbound cars and unaware of what I might be hurtling toward. Sure, maybe I've noticed a few cars slowing down around me. The economic woes of our times are only missed by those rich enough to be unaffected and I don't belong to that set. I'm just another motorist in my steel and glass bubble, speeding along with the radio turned up and the windows up. Comfortable and ignorant.
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